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ARTICLE | The #MeToo Moment: Art Inspired by the Reckoning

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The first known feminist-art program in the United States was established in the fall of 1970 at the California Institute of the Arts. Judy Chicago (artist and educator) formed the art collective known as “Womanhouse” because, as she put it, “women artists were simply not taken seriously.”

Two decades later, the Guerrilla Girls forced attention to the fine art world’s gender and racial disparity with their gorilla masks and guerrilla-style stunts. (“Guerrilla Girls’ definition of a hypocrite?” read one poster. “An art collector who buys white male art at benefits for liberal causes, but never buys art by women or artists of color.”)

From Picasso’s Guernica — observed as a cry against the atrocities of the Spanish War — to the graffiti of the Arab Spring, social movements and injustice have long inspired art of all forms. The #MeToo Moment is no exception.

Explore works inspired by the #MeToo movement here.

SOURCE: The New York Times

LAND ACKNOWLEDGEMENT

Whidbey Island Center for the Arts would like to begin by acknowledging that we gather on the ancestral homelands, originally known as Tscha-kole-chy (SHA-KOL-CHI) in Lushootseed (LU-SHOOT-SEED), of the Coastal Salish Peoples, on the lands of the lower Skagit, Tulalip (tuh·lay·luhp), Swinomish (SWIN-ə-mish), Snohomish (snō-hō-mish), Stillaguamish (still-uh-GWAH-mish), and Suquamish (soo-kwah-mish), who have lived in the Salish Sea basin since time immemorial and have hunted, fished, gathered, and taken care of these lands.

We respect their sovereignty, their right to self-determination, and we honor their sacred spiritual connection with the land and water.

Please join us in expressing our deepest respect and gratitude to the indigenous people of this territory and for their enduring care and protection of the land in which we currently occupy and share through the Treaty of Point Elliott signed by 82 tribes in Múckl-te-óh (Mukilteo) on January 22, 1855.