COVID-19 POLICY

OUR COVID POLICY AS OF mar 1, 2022

Amended covid policy: In accordance with updated state mandates, proof of vaccination or negative tests will no longer be required starting March 1, 2022. Masks will no longer be required starting March 12, 2022, but are strongly encouraged indoors. These policies may be modified based on updated state and county health department guidelines.

★ HVAC SYSTEM ★ 

Our new HVAC system provides cleaner, safer air. Watch now!

The WICA Staff and Board of Directors are working hard and earnestly exploring new ways for us to produce, present, and support exceptional works that celebrate our community’s artistic excellence. And, at the heart of every conversation and every decision, is a singular focus on your experience and safety.

Be assured that the fundamentals of your experience will be the same as they always have been: we will gather together, we will be energized by the connection between artist and audience, we will share a collective thought or emotion, and we will give thanks through our applause.

What will be different is how we navigate once familiar exterior and interior spaces, recognize old friends, and create a sense of community and intimacy while we follow public health guidelines.

SAFETY AND CLEANING

We have developed a Health and Safety Manual that follows the COVID-19 cleaning procedures and protocols recommended by national and regional public health guidelines and adheres to federal safety standards.

 
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 WIDT | “The Nutcracker” at WICA 

Whidbey Island Dance Theatre is Back on Stage with “The Nutcracker” at WICA

Among the whirlwind of the holiday season, there is that undeniably lovely and tempestuous affair fluffed with snow and tulle and cute children in creature costumes that few can resist. That is “The Nutcracker,” of course, and Whidbey Island Dance Theatre (WIDT) is back on stage with the ballet. 

When Russian choreographer Marius Petipa collaborated with composer Pyotr Ilyich Tchaikovsky to create “The Nutcracker” ballet in 1892, the famous team was most likely oblivious to the global tradition the piece would become through the next 125 years and beyond. Countless productions of the holiday ballet abound all over the world, but nothing makes the heart sing more than seeing one’s own community bring this holiday winter dream to life on stage. 

After being only able to perform via livestream last year due to the pandemic, WIDT is particularly excited to present its 29th season of “The Nutcracker” live and onstage at Whidbey Island Center for the Arts in Langley. Tickets are on sale now for the show which opens Friday, Dec. 10 and runs through Sunday, Dec. 19. 

WIDT alums, Brittany Falso and Elliauna McLean, have taken on the leadership roles of artistic directors at WIDT and are over-the-moon to be back on stage with this dedicated company of dancers and community members. 

"We are so excited to bring back live performances this year,” says McLean. “To see that curtain open for the first time on opening night is going to feel surreal." 

The ballet dramatizes the tale of Clara’s enchanted Christmas Eve, when her mysterious godfather’s magic leads to a dream of unexplainable and wonderful events through the night. Clara journeys to lands where snowflakes and flowers dance; where fairies, mermaids, and even a dragon perform; where a fierce and terrible battle is fought; and where a handsome prince comes to the rescue. 

Here is a company that is skilled enough to turn out a professional-caliber performance every year, much to the delight of its enthusiastic island audiences. The company manages to combine the traditional and the deliciously daring in a production in which more than 100 characters come to life. As always, WIDT’s production is full of color and fun, newcomers and familiar faces, and new twists in choreography, along with the artistry of several professional guest dancers and the charming collective of an all-ages cast. 

"Seeing how dedicated these dancers are in all of their rehearsals makes the lead-up to this year’s show all the more enjoyable," McLean added. 

Principal company dancer Kendall Marshall takes the role of Clara, supported by community member Lars Larson returning in the role of Godfather Drosselmeyer. Professional guest artist Robbi Moore dances the role of the illustrious Forest King and performs the Grand Pas de Deux with the Faerie Queen played by Chyler White, another guest artist to join the show. 

“Every year, newcomers marvel at how joyous and spectacular our local production is,” says Whidbey Island Dance Company founder Charlene Brown, who began bringing this holiday event to islanders back in 1992. 

Brown helps choreograph the show along with other longtime WIDT collaborators including, both Falso and McLean, Megan LeMay, Katelyn Lodell, Leah Marshall, Robbi Moore, Jamee Pitts, Taylor Pitts, Chyler White and Graham Vanderwood. 

Even amid the pandemic, this ensemble of dancers, buoyed by their directors, choreographers and parents, has come together, even while breathing through masks as they dance, to make this show happen again. It is their holiday gift to their community and has all the festive earmarks of what the holiday season is at its best: bringing joy to others. Come and see them dance! 

“The Nutcracker” plays at 7 p.m. on Dec. 10, 17, 18 and at 2 p.m. on Dec. 11, 12 and 19. 

Tickets are $25 for adults, $20 for youths/seniors/military and are available online at wicaonline.org

Covid-19 Safety Precautions in Place for “The Nutcracker”: 50% audience capacity/adults proof of vax or Covid test required + mask/under 18 mask required. 

Happy Hour Under the Tent!

HAPPY HOUR UNDER THE TENT

Friday and Saturday nights from June 23 - August 26

5:00 - 7:00 PM

Musicians and groups listed are scheduled to play during the given Happy Hour slot for tips. Happy Hours do not have a cover charge or a minimum purchase!

THE ARTISTS

June 23 | The Island Beguilin’ Trio
June 24 | Loungin’with Yana, Jana and Roz

June 30 | Rubatano Marimba Community Party!!
July 1 | Eric Burblesbelly Arnold

July 7 | Philip Van Seters
July 8 | Porch Brothers

July 14 | Rusty Rails
July 15 | Quinn Fitzpatrick

July 21 | Mac and Cheez with Pepper Jack

July 28 | Island Jazz Collective
July 29 | Language Arts

Aug 4 | Doug Rorbach and Double Diamonds
Aug 5 | Vintage Country Folk Band

Aug 11 | Barbara Dunn and Bev Heising
Aug 12 | Four

Aug 18 | Fiddle Chix
Aug 19 | Unity Family Band

Aug 25 | Forrest and Mariam Anderson
Aug 26 | Kristi O’Donnell’s Café Impromptu Quartet


Double Bluff Brewing Company presents Bluegrass Under the Tent!

We'll be serving up an assortment of soft drinks, local wines and brews, signature cocktails, snacks, and fantastic local talent on the patio and under cover.

Bring a jacket, your best pals, and toe-tapping shoes!

Hosted by Mac McInerney | No cover charge.

SCHEDULE

Wed |  7:00 PM – 10:00 PM

Jun 23

Jul 07

Jul 28

Aug 18

Sep 01


WANT TO JOIN THE JAM?

Here are a few things that Mac would like you to know:

  1. Have fun!

  2. Appropriate instruments please. No bluegrass flute, sax, horns, electronic instruments, drums, etc.

  3. Start in tune and maintain standard tuning: a=440

  4. Choose familiar 2,3, or 4 chord tunes that lend themselves to singing along on the chorus and to instrumental breaks. Bluegrass style tunes that may include C&W, old-timey, “pop” tunes (think a bluegrass style “Falling” by The Beatles) avoid jam-busters, original tunes, tunes with too many chords, or tunes that are too fast or too twisted.

  5. Be inclusive and respectful. Listen and watch.

  6. Avoid noodling and excessive tuning between tunes...step outside the circle to do this.

The Process

When it’s your turn, name the tune and the key and review chords if necessary. (You may need to sing the chord changes the first time.)

As the leader you kick-off the tune (or assign the kick-off), sing the lead (or assign), determine who will take breaks, and signal them with eye contact and a nod and end the tune with a foot signal or verbal cue.

You may pass the lead or may assign someone else to lead for your turn. Listen and follow the leader. Be ready for late starts and follow the leader.


BIOGRAPHY | MARION WOLCOTT

Jitterbugging (1939)

Jitterbugging (1939)

Marion Wolcott is known for her candid documentary photographs taken for the Farm Security Administration (FSA) during America’s Great Depression. Joining Dorothea Lange, Walker Evans, and other photographers who produced iconic images for the FSA, Wolcott documented America’s staggering wealth inequalities, its race relations, the poverty and deprivation experienced during the Depression, and the benefits to the population of federal subsidies and programs. “As an FSA documentary photographer, I was committed to changing the attitudes of people by familiarizing America with the plight of the underprivileged, especially in rural America,” she once said. Along with images of coal miners, farmers harvesting tobacco fields, and affluent spectators at the races, Wolcott also captured moments of transcendence, such as in Jitterbugging (1939), an iconic image of African-Americans dancing in a club.

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Marion Post was born in New Jersey on June 7, 1910. After her parents’ divorce, she was sent to boarding school and spent summers and holidays with her mother in Greenwich Village. She met many artists and musician during her time in The Village and later studied at The New School.

Post trained as a teacher, and went to work in a small town in Massachusetts. There she saw the reality of the Depression and the problems of the poor. When the school closed, she went to Vienna to visit her sister. While there, she witnessed Nazi attacks on the Jewish population and soon after returned to America for safety. She resumed teaching, continued her photography, and became involved in the anti-fascist movement. At the New York Photo League, she met Ralph Steiner and Paul Strand who encouraged her. When Steiner learned that the Philadelphia Evening Bulletin kept sending her to do ‘ladies' stories, he presented her portfolio to Roy Stryker, head of the Farm Security Administration. Stryker was impressed by her work and hired her immediately.

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In 1941, she met Leon Oliver Wolcott, deputy director of war relations for the U. S. Department of Agriculture under Franklin Roosevelt. They married, and Marion Post Wolcott continued her assignments for the FSA, but resigned shortly thereafter in February 1942. Wolcott found it difficult to fit in her photography around raising a family and a great deal of traveling and living overseas.

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In the 1970s, a renewed interest in Wolcott's images among scholars rekindled her own interest in photography. In 1978, Wolcott mounted her first solo exhibition in California, and by the 1980s the Smithsonian and the Metropolitan Museum of Art began to collect her photographs. The first monograph on Marion Post Wolcott's work was published in 1983.

Marion Post Wolcott died November 24, 1990.

RELATED PROGRAMMING | ART TALKS: LANGE AND WOLCOTT | JUN 16, 2021